From the Neal Cassady letter that Jack Kerouac described as The Great Sex Letter:
I was sitting on the bus when it took on more passengers at Indianapolis, Indiana – a perfectly proportioned beautiful, intellectual, passionate, personification of Venus De Milo asked me if the seat beside me was taken!!! I gulped, (I'm drunk) gargled & stammered NO! (Paradox of expression, after all, how can one stammer No!!?) She sat – I sweated – She started to speak, I knew it would be generalities, so to tempt her I remained silent.From this letter, we can discern two things. First, the Chateau is correct and there is an element of sociopathy to natural player behavior. If you're familiar with On the Road or the story of its real-life inspiration, then you're aware that Cassady was not entirely all there, either in terms of sanity or conscience. But he was, sexually speaking, a definite ALPHA. Women respond powerfully and sexually to sociopaths; it's not a coincidence that women used to faint at Adolf Hitler's speeches. Certain elements of Game do involve the imitation of sociopathic behavior, and this is why some decent men would rather lose women they desire and permit their marriages to fail than behave in the necessary manner.
She (her name Patricia) got on the bus at 8 PM (Dark!) I didn't speak until 10 PM – in the intervening 2 hours I not only of course, determined to make her, but, how to DO IT.
I naturally can't quote the conversation verbally, however, I shall attempt to give you the gist of it from 10 PM to 2 AM.
Without the slightest preliminaries of objective remarks (what's your name? where are you going? etc.) I plunged into a completely knowing, completely subjective, personal & so to speak "penetrating her core" way of speech; to be shorter (since I'm getting unable to write) by 2 AM I had her swearing eternal love, complete subjectivity to me & immediate satisfaction. I, anticipating even more pleasure, wouldn't allow her to blow me on the bus, instead we played, as they say, with each other.
Second, the natural behavior that Game imitates has been around much longer than even most theoreticians of Game realize. Once one knows what to look for, one can find elements of Game in the works of Flaubert, of Dostoevsky, and even Shikibu. When one considers that the latter dates back to the 11th century, it should be apparent that there is nothing new about it, there is only the recognition of something that has been obscured and buried by feminism, and before that, the chivalric social mores of mid-20th century America.
Sociopathy is rising in America for the reason that we have lionized the Neal Cassady's of the nation while simultaneously emancipating female desire from its former social strictures. Young women are now free to pursue whomever attracts them, without any practical guidance from their parents or female elders, and history teaches very clearly that the men who most attract young women are sociopaths and societally destructive narcissists.
This is why knowledge of Game is so important to society. If its artificial practitioners refuse to utilize it, too many of them will continue to lose out to the naturals and eventually become grass-eating herbs with no interest in constructively participating in society.
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